cat_cetera: (SCA!)
I am not sure how it happens, but no matter how reasonable and achievable I think I am making my goals, it always seems that I have to scale back. Recently I have had a couple of conversations with an engineer friend of mine about how projects can be done fast, right or cheap, and if you choose two you might get one. My preference right now for arts and sciences is to do my projects right, especially for the one I want to take to KA&S next year. So here are my re-revised and reprioritized A&S plans and goals:

Finished

Pattens
Finished, with lots of help from [livejournal.com profile] landsknecht_po, and worn at Winter War.

Short Term

Hose Pattern and Mock-Up
Finally had the chance to do a fitting with Papa Don on the weekend, and afterwards had a discussion with Mistress Issabbella about some of the questions I had on how to make it fit better. Need to make a new mockup this weekend and hopefully complete the next fitting at Crown the weekend after.

Apron
I started making an apron, even though it wasn't on my project list, and then I started embroidering it. Consequently it turned from a one-afternoon project into a several-weekend project. I still have to finish sewing the waist straps together, but the embroidery is at least done.

Should Do Sooner Rather Than Later

Documentation
Mistress Issabbella suggested that I should label my process pictures better on my Flickr page (as well as blogging them on LJ). I said I would, but I didn't get to it. Then while I was away a situation came up where it would have been very helpful if I had already labeled them. Oops. I still also want to put together a portfolio of my projects to take to events. Since I won't be camping much this year the portfolio can probably wait, and in the meantime I can take my documentation for my brown linen gamurra and my pattens.

For KA&S

Revised Entry
After thinking about the fabric I had left in the stash, and doing a bit more research about the kind of fabric I really should use for a Florentine overgown, and pining after the picture of a striped dress I found, I decided to focus on the striped dress for my KA&S entry instead of doing an overgown, because I already have suitable fabric for it. I need to do a bit more research on the image of the striped dress before I can get started patterning, and I think the stripes are going to present several interesting but not insurmountable pattern-blocking challenges. Assuming I get the dress done in time, I might then also put together chopines or a cofea tranzado for entry, but I'm not holding my breath and neither should you.

On The Back Burner

A Spiffy New Hat
I would still like to make the white linen cofea tranzado I posted in this spot before. I think it would be a good camping hat, but since I won't be doing very much camping this year, I've moved this one back.

Class
There is still a lot of History of Science to be summarized. Maybe I can get ahead on this one while I'm away this summer.

Chopines
Still want to make 'em.

Long Term

Astrology
Stage 1: figure out which treatises on astrology and which tables of astronomical observations would have been available to my persona (late 15th century Florence) - already in process
Stage 2: track down said treatises. In order of language preference, English, French, Italian, Latin.
Stage 3: determine what types of calculations are necessary and how they would have been done in period. Learn how to use abacus if necessary
Stage 4: make necessary calculations, draw chart, make suitably vague predictions according to instructions in treatises.

More Research
Two areas that I need to do more research in for my garb are what types of chemises they might have worn and what types of trim/embroidery their gowns might have had. I'll work on it as I go along. I will likely find that some of this comes in as I'm working on the KA&S entries.

Garb
Have several garb projects in mind:
1. Olive green brocade dress (it is fitted like a gamurra but worn as an outer dress, which I think makes it a giornea, or maybe a cioppa)
2. Colour-blocked dress
3. Black/copper brocade sleeveless overdress, open at the sides, and blue velvet overdress, closed at the sides.
cat_cetera: (Default)
What I'm Listening To
- Boccherini's Quintetto In Do Maggiore la Musica Notturna Delle Strade Di Madrid Op. 30, No. 6 (G. 324): Il Rosario - Largo Assai - Allegro - Largo Come Prima - this recording is a Jordi Savall project, but I first heard this piece on the soundtrack to Master and Commander and so for me it's very evocative not only of that movie but also of my time in Victoria.
- KT Tunstall, Black Horse and the Cherry Tree
- my iPod on random, producing Tainted Love followed immediately by Rihanna's S.O.S.

What I'm Playing
- Francois Couperin, Les Folies Francaises, ou les Dominos, a set of theme and variations with each variation named after an aspect of love, such as "La Virginite" and "Les Coucous Benevoles". Am considering attaching the name of a Doctor Who character to each one: "La Coqueterie" - Jack Harkness; "La Jalousie Taciturne" - Ninth Doctor.
- Polyphonia - this week my favorite herd of cats managed a pretty good rendition of the Agincourt Carol, and didn't quite butcher Amor Potest - Ad Amorem, despite its use of hocket.
- Rock Band. Rage Against The Sewing Machine takes the stage again!!!

What I'm Reading/Watching
- Wading my way through the Metropolitan Museum of Art's online catalogue, which has led me to some new portraits from the late fifteenth century, a few "no image available", and many irrelevant yet very interesting other things.
- Oh Stargate SG1, how I love you.
- Far too many facebook updates letting me know every milestone other people reach in Farmville and clones. If anyone knows how to blanket turn off updates from new games that people start playing, PLEASE let me know.

What I'm Making
- New shift is done. Handsewn from start to finish, mostly using linen thread. Liked using the linen thread, but discovered it is not very well suited to backstitch. Attempted to do some basic blackwork around the neck edge based on the pattern seen in this portrait, but since the neckline was not cut on the straight grain I was not able to get a satisfactorily even and symmetrical pattern.
- Some time ago, the House was gifted a large quantity of brocade in an indescribable colour. To gaze on it directly is to invite madness, but if you squint just right, it looks like a sort of blasphemous imitation of the brocade worn by two different women in Ghirlandaio's Tornabuoni chapel. Lacking a sufficient colour name with which to refer to this fabric, we decided to call it "Dead Spaniard", which I knew to be a renaissance name for some colour. Apparently "Dead Spaniard" is actually a pale greyish tan. That is not this colour.
Cut out pieces for "Dead Spaniard" giornea, then sewed together long seams by machine in the interests of time. Currently staystitching edges by hand using running stitch. Had an interesting discussion with [livejournal.com profile] rectangularcat about whether colour could/would have been produced in period using natural dyes, and whether colour should have been produced at all in modern times (answer to all: probably not). Well, if it's too offensively bright, I'll just save it for some morning when everyone's hung over but me.

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May 2011

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